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  une usure fertile la profusion crépusculaire dans les vastes étendues s’affaire jusqu’à polir des joyaux bijoux du temps déposés sur la friche a fertile wearing off the twilight profusion busies itself in vast spaces till it polishes gems time jewels laid down on fallow field   fenêtre sur un lac intérieur plongée verticale sur un champ de vue lumière profondément intensément étale Narcisse dans un coin de mémoire soi au milieu du miroir a window on an inner lake vertical swoop on a field of vision the light profoundly intensely still Narcissus in a corner of memory the self in the middle of the mirror et si            au-devant des yeux se tenait la matière du regard on n’y voit plus d’horizon l’intemporel y flotte aussi limpide qu’une eau inondée de lumière what about        having ahead of eyes the gaze-matter ...
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  Béatrice Machet . (photo credit : Bip Noder)  BIO   Béatrice (Anne-Marie, Marie-Jeanne) Machet is a French born poet, living between France and the USA, whose dance lessons as a child influenced and still influence her writing. As a teen she learned a lot from the Native American point of view about Native American history and Native cultures, until she felt impregnated with them. After having been involved in the French science-fiction milieu, flirting with cartoons and magazines such as Actuel, Charlie Hebdo, Fluide Glacial, she met Jean-Hughes Malineau, a Gallimard editor, who encouraged her to begin a career as a poet. From this initial meeting, each published poetry book of hers will testify to an evolution in her writing practice. Since 2016, she is an active member of the sound poetry group Ecrits Studio (ecritsstudio.fr). At her credit some 15 books and 30 chapbooks of poetry (three of them in English) plus 7 Native American poets’ collections she transl...